15 for 15 VI: The First Time, or I'm Finally Out!

The day had to come.

Earlier that day, I was agonizing, as I did every day, over the guy I was in love with but didn't, or couldn't, tell.  When he told me that he was in love with another guy, I told him how I felt about him, and there it was.

Out.

Finally.

I.

But the one to whom I am out and whom I love loves another.  I want to laugh and cry and vomit.
                                                                                                    --May 6, 1996

Those were the hardest years of my life, so far, both preceding and following that statement.

Since that time, I've come to think that emotional puberty, which happens around age 20, is harder than physical puberty.  I went into a cocoon, psychologically, and to some degree physically as well.

Like many young men of that age, I grew out my hair, on my face as well as on my head.  I actually had hair to grow out back then.

Along with this growth of hair around me, I continued growing barriers around myself psychologically to keep people out.  I became so good at it, that by age 21, I could say that I hadn't kept any friends consistently since I was a kid, and although I made friends in college, it would be some time before I worked on those friendships at all.  Mostly, I was insecure, overly-competitive, and didn't want anyone to know I was gay.

It all ended that night.

II.

My view of the world has changed so drastically, I can't.  This is the night I have been waiting for for so long...


I knew after that night that something more than my sexuality had come out.  I had come out, started to destroy the cocoon of secrecy that I'd built around myself with hundreds or thousands of "saves," putting my mind to work several moves ahead of where a conversation might be going so that I would not have to answer certain questions or lie.

The piano had been my adolescent lover, and the eccentric pianist Glenn Gould had been my "virtual" lover, long before the idea of virtual had come to my mind.  I was safely hidden behind an intellectual exterior in which I could be busy thinking about things, or practicing the piano.  I became enveloped in the works of Ayn Rand, who, from her physical and emotional grave, egged me on to be different and alone.  Being an individual was the most important thing to me, so much so that when I went to college, I wanted to do an "individualized major," which at the time was kooky, although has caught on since.

Through all of the nights that I had gone to sleep for 10 years wondering if I was hopelessly lost, or if I was "the only one," I knew in those moments, on that night 15 years ago, that I was never going to be the only one again.

The first time I came out was like returning from a long, lonely exile in a foreign land, whose customs I sort of knew, and whose language I spoke with great difficulty because I kept tripping over the words, but whose food I didn't enjoy, and whose oppressive culture I could not wait to escape.

This feeling of exile, of not being welcomed in your homeland, is perhaps common to a lot of people for a lot of reasons.  People can challenge this feeling only in the company of those who are "like" them, or perhaps in books, movies, other media, or characters of their own making.  But it's not the same as connecting in person, with real, live people whom you know are enough like you so that you don't have to mouth a barely familiar language that everyone else seems to know fluently.

My whole perspective on the world changed, because that night I no longer had to think in terms of dynamic equivalence, translating the lives of others, and particularly the loves of others, into something that made sense to me in my own mind and deeply felt experience.   My world changed that night because it finally became my world.

III.

I'm so confused and elated and nervous and sick and ecstatic.  Sleep seems light years away.

A million feelings went through my mind and heart all at once, so powerful that I felt like I was going to go insane or literally explode, internally combust, go up in the flames of gay fabulosity before I knew what those even could be.

I felt, in that moment, that I had crossed over a threshold of experience that I thought I would never cross, and entered a world I could only sense existed, but had been there all the time.  And what I wanted felt further out of reach than ever, because my feelings were not returned.

Feelings are a funny thing--substantial, but not quantifiable; ephemeral, but lasting; they are the ultimate paradox.

And feelings seem to give us permission to act in any way that we wish.  I did that, and was not proud of how my feelings affected the object of those feelings.  Objectifying another, especially one about whom we feel strongly, seems impossible to avoid, but in the cold light of long reflection, I would have acted quite differently.  At that time, though, I simply could not.  One learns not to repeat certain mistakes, even though some of those mistakes seem to fall into a pattern of action that, no matter how many times one tries to reason his or her way out of them, seems to keep coming back the same way.  It is almost like an addiction, and the effects can perhaps be just as harmful.

Still, I came to value those feelings only by finally experiencing them, and putting them out there in the world.  If they are returned, that is somehow a bonus, but there is no way in which one can or should force another person to feel what one does not feel.

Being forced into feeling what one does not feel is precisely the aim of the closet.  It is not only a place of privacy and safety, but it is a place that often compels people to feel that that is the only place in which they can be safe.  And that is not right.

IV.

Many first times have come since that one those many years ago:  first lovers, first boyfriends, first poems, first culinary delights, first times being without a home, being on my own and unsure of what to do next, first trips to Europe and Africa, first times walking the streets of Paris and New York and San Francisco, dreamlike places that I never thought I'd be, but that have come to define my personality and my life in ways similar to this lived sexual orientation.

First times are indeed very special, even if they aren't anything special in and of themselves.  I remember the first time I changed a headlight on a car, the feeling of accomplishment that I had, and the feeling of empowerment.  First times can, but do not always, empower us to try for higher levels of experience, and  make us realize that what never seemed possible actually is something we just haven't tried yet.  Of course, that doesn't go for everything.  Like eating liver.

Tonight, I celebrated these many years of being out, and all the gifts and challenges that have come with it, at the lovely Nicollet Island Inn restaurant in Minneapolis.  Here was one of the fabulous courses with which my table was adorned:

The colors, the flavors!  This was living.  And this is what life can be like:  a colorful, delicious feast.

For we are called to the great feast, to the Gospel feast, to the feast of honesty and integrity that adds all of the flavor to life.  Facing one's areas of pain and struggle honestly, and for a long time, can yield much greater treasures that can be bought and paid for with money.

And you are always welcome at my feast.

15-for-15 III: Honesty

"It's not lying if they make you lie."
                  --Brian Kinney (Gale Harold), "Queer as Folk" (Showtime)


I.


Now, be honest.  You might not rejoice in the death of Osama bin Laden, but is there no part of you that was at least relieved to hear that he had finally been killed?  And if relieved, grateful?  A seed of inappropriate glee, perhaps, that would taint you as someone who can't quite live up to the great martyrs of peace of the past?


The last thing most of us would want is for people to know all of our true feelings all the time, because a lot of those feelings could affect our relationships, jobs, and general reputations should they be known.  So we have to be selective in what we tell others.  Honesty, true, unadulterated, 24/7/365 honesty, is nearly impossible to have within the recesses of our own minds and souls, and quite impossible to achieve in dealing with others.


But some level of honesty, with others, about ourselves and our views, is absolutely essential to who we are.  We must select what we will present, and in presenting, create the "I" that others see through their eyes.


Honesty is central in coming out of the closet, but it is not simple.  It begins with people being honest with themselves about their true feelings, and that may lead into a crisis that may or may not resolve itself with becoming honest with others.  Some may come out, at an early age, without any complications in their own minds--I've met people for whom this is the case.  But for many others who are gay or lesbian, a wide variety of complex factors and fears affects this kind of honesty with others.


II.


Foremost are the factors of one's fear of losing close relationships with people they think might not take this news well and decide to end the relationship.  And this has indeed happened with a number of people who have come out as gay or lesbian, particularly before the last two decades.  It has happened with me.


At one time, not long ago, and indeed still to this day, the economic factors of losing one's job or not being able to gain employment were key to keeping people in the closet.  I worried, and am not proud of doing so, that I would be disowned if my parents knew I was gay, and I did not see how I could pay for college if I were to come out when I was still in high school.  I sensed anyway that I would become like Stephen King's Carrie had I come out in high school, with a bucket of blood hanging over my head at every turn, ready to end forever any cool factor that I had built up.


The fear of being beaten or abused has also been central to people not coming out, for this is still a realistic fear for many who are young, and more who have moved on into their own lives, yet live within tight restrictions on their expression within those lives.


Even in a society as tolerant as ours, we are far from living in a "safe" place as openly gay and lesbian people everywhere we go.  Where we might choose to hold hands, might give in public the most innocuous signs of affection towards those for whom we feel affection, things that I would guess every heterosexual person takes for granted, is still greatly limited, in many cases only in those establishments that openly accept or cater to gays and lesbians or the neighborhoods immediately around them.


In vast parts of our country, we're still sitting in the Stonewall Inn on June 26, 1969, when the police could come in at any moment and take everything in our lives away at their whim.  Police raids have famously happened within the last few years in Fort Worth, TX, and Atlanta, GA, hardly small and conservative towns.


The fear of not being able to follow out one's calling in life, whether as a pastor, a professional athlete, a teacher, an actor or actress, musician, business person, or in many other walks of life that still carry a heavy expectation of being heterosexual for the sake of those for whom the business or organization is run, still keeps people in the closet and in relationships that begin as relationships of "convenience," though might develop into more.  


One of the hardest things to do is to be honest with oneself about the hard things within oneself, let alone to be frank with others.  But both are essential, I would say, to living other than a life of quiet desperation, in the words of Thoreau.


III.


I first was compelled to be honest with myself about being gay because of an overwhelming sexual attraction I had to someone, who although I didn't know, I knew was gay.  I saw him every day on the bus that I took from the St. Paul University of Minnesota "farm" campus to the main campus in Minneapolis, on the east bank, when I was there in the summer of 1994.


Perhaps it was his mannerisms that first tripped my nascent gaydar.  Perhaps it was the sticker on his bag that said "I fuck to come, not to conceive."  But soon I heard him talking about being gay to someone else on the bus.  That cinched it for me.


I remember getting off that bus and walking behind him, trying to come up with even a lame pick-up line.  But I was afraid of sex, and afraid of contracting HIV, which in 1994 could still be a death sentence for many who were living with it, before the arrival of most anti-retroviral drugs.  Fear of many kinds kept the lid on a boiling pot of hormones and emotions for yet another period of time when it could have come off.  The result was the journal entry that I shared in my first entry in this series.


Later, I was compelled to be honest with others about what I felt, because I learned that those feelings went beyond mere sexual attraction.  I learned that I had feelings for someone else that were just like those feelings that I had watched in most every movie ever made, and that were described in the vast majority of songs ever written.  If people could make those movies, and sing those songs, then I deserved to value and honor those feelings in myself, as imperfectly even as I expressed them at that time, as well.


I became honest with others when my heart connected, perhaps for the first time, to my head, and I could no longer deny that I, too, had a claim to my feelings and had needs that issued from them, and not only from my penis or my brain.  I still hadn't experienced anything that I longed to experience physically, but I knew what it was that I wanted, to be with another man, and what I could never have:  a Jane to my John, a Mrs. to my Mr.  


As deeply as I had tried to feel romantic attachments to girls, and then to young women, nothing could connect with my deeper reality.  No kiss with a girl could do anything more for me than leave me feeling weird, and that wasn't fair to either of us.  No amount of visual stimulation could have any effect beyond moving my retinas from one part of a page or screen to another.


For a long time, I thought there was just something wrong with me, that I needed to try harder, and I'll be honest, I never prayed to God that things were different--I didn't even think to do so.  Some have described this feeling as noticing at some point that you had boarded the wrong airplane, flying to the wrong destination, yet without any way to alter the course.


It would be a long time before I sat back and enjoyed the flight.


IV.


The quotation above, which the character Brian Kinney says several times in the TV series "Queer as Folk," resonates with me on many levels.  Lying, and the moral approbation that might be attached to it, is morally wrong only so long as you have any other option at all.  It is like the legitimate defense of killing only when one's life is in immediate danger, only in the case of outing oneself, it's everything that attaches to one's life, and in some cases, one's physical life itself.  This is a fear that some gay and lesbian people carry with themselves every day.   


I tend to judge those who have not come out most especially when I do not remember what it was like before I came out.  It's easy to cast such stones when you forget that you were once (and perhaps sometimes are still) afraid of being hit with them yourself.


If everyone who could come out would come out, in all circumstances, to all people, all the time, there would be no closets, not because there wouldn't be anyone in them, but because there would be no need for them.  That area of privacy in one's life is there almost exclusively because of the possible repercussions and fears that I stated above.


"It's nobody's business but my own" only so long as were that business to be made known, there would be negative consequences.  Inconsequential business has no need of privacy.  Otherwise, why not put up that picture of your hottie love muffin in the office, like everyone else does, or talk about your weekend, or mention your wife or husband in your sermon, or talk about that experience that changed your life and the person who was there to hold your hand when it happened?


But reality remains:  it's not safe for everyone to come out in every circumstance at all times. The closet is still a place of cold refuge for many, many people.


V.


I do carry a rather unattractive chip on my shoulder about the consequences of honesty I have faced in my own calling to being an ordained Lutheran minister, as one who is yet neither ordained, nor a Lutheran minister.  I have the same training, with the same professors and mentors, as dozens of my seminary colleagues who are now ordained and in church calls.  Yet, my last four years of waiting for even an interview for a first call in my present denomination looks like this:

• Make sure you file everything on time.
• Thank you for filing everything on time and completing your requirements.
• We approve you for ordination and think you will  be an excellent pastor.  You have wonderful gifts for ministry.
• Why did you have to put your sexual orientation in your paperwork?  Nobody else does.
• No church will give you an interview unless you "fly under the radar," "don't lead with your sexual orientation," and "feel things out as far as their attitudes go before you say anything about being gay."
• We don't have any churches for you, but your name comes up all the time in our conversations about churches looking for first calls.
• That church would be great for you, but it is not a first call church.
• We gave that church to someone as a first call even though it wasn't a first call church--it just fit them.
• There are no churches at the moment that would be open to someone like you.
• We're afraid of even recommending you to that church, so why would you want to interview there?
• Any church would be lucky to have you as its pastor.
• The bishop has said that he can do nothing for you.
• The bishop has your paperwork and will follow up with you shortly.
• You're too outspoken.
• All of the bishops admired your integrity, but they cannot do anything as long as you say you will not be in compliance with the rules.
• There are too many other candidates waiting for a first call for you to be considered in our synod.
• We gave that church to someone who wasn't in our synod because it was a good match for them, even though we have several other candidates waiting for call.
• You have demonstrated maturity, compassion, and extraordinary patience throughout this process.  We admire your consistent positive attitude.
• A lot of people are affected by the economy because pastors are not retiring since they have lost their pensions.  But we still placed 5 of 6 candidates whom we received in the Fall draft in first calls.

It goes on like this, and it is little wonder that a part of my spiritual life has atrophied.  But, to be honest, that is also my responsibility to say "enough is enough," and move on with my life.  


Honesty has not been the best policy in my dealings with the church, and something seems wrong with that.

Thankfully, the Evangelical Lutheran Church in America has moved into a new period of honesty in which it can value the honesty of its clergy and commissioned lay persons and stop forcing its pastors and candidates for ordination to lie about being gay or lesbian, as it did for more than 20 years.  Before August 21, 2009, a pastor could be brought up on trial for publicly admitting he or she was gay or lesbian and in a relationship, and a church could be completely removed from the ELCA in an expensive and embarrassing church trial; thankfully this is no longer the case.  


Yet the pre-change reality remains in the ELCA, and no change has happened in many other denominations.  And gay and lesbian persons are by no means the only people who are disadvantaged in the current ELCA system of approval, call, and ordination.  

VI.

Being honest, as being a bully, is not a simple issue.  It's not the picture of George Washington and the cherry tree, or of "Honest Abe," whose early business practices, though unsuccessful, were apparently unflinchingly honest.  These stereotypes of being honest are not such that any mortal can attain, just as no human besides Jesus could be sinless, and I question what that meant for Jesus.

The issue of marriage, beyond being an issue of civil rights for gay and lesbian people, is an issue of honesty:  being able to be publicly honest about who your better half indeed is, as well as being honest about the limitations and realities of any marriage.

The main argument that I would lift up in favor of same-sex marriage is not even equality, because we are equal, and to debate our equality and the equality of our relationships is an insult.  I think a better argument is to state the honest reality:  that conservative moralists are imposing unreachable expectations on those marriages that they do allow, while at the same time, by opposing same-sex marriages, they suggest that these "traditional" marriages could be blown over by the first stiff gay wind to hit them.  I want to think heterosexual relationships are stronger than this.

There are also a vast number of people who vote against same-sex marriage, and a vast number of politicians who introduce this as a wedge issue into political discourse, who are far from being honest about their motives.  


Each Minnesota legislator who has voted in favor of advancing a constitutional amendment against same-sex marriage, as in all 30 states that ban same-sex marriage in their constitutions, and each citizen voter, should face a crisis of honesty on their position against same-sex marriage.  Is a same-sex marriage going to "destroy" opposite-sex marriages, or are a host of factors already in place, from no-fault divorce, to economic injustice, to exceedingly high societal demands, threatening these marriages?  


Bad relationships, impossible demands of perfection, and economic adversity, among other things, destroy marriage, not gay and lesbian relationships.  


VII.


Perhaps death is the most honest thing there is.  There's no saying it is anything that it is not.  There may be many varieties of death, but when someone is stone cold dead, that's that.  Which is why it is so important to live your life while you have it.


I wonder sometimes what it would be like if honesty were more constitutionally a part of who we are.  It's not a natural human state, but must be taught by instilling a guilty conscience as constant punishment for not being honest.


Being who one is honestly should not entail being guilty.  Some things about ourselves could benefit from change.  Sexual orientation is not one of them.


What, for you, are the most difficult things to be honest about with yourself, dear reader?  And what in your life has initiated a crisis of honesty in dealing with others?  I think we all have substantial experience in debating these questions within ourselves, and some of these parts of ourselves have forced us into our own versions of the closet.  Closets are not just for people of a particular sexual orientation:  there are endless varieties of closets.  


My hope is that we might someday very soon reach a new level of honesty in our national discourse on sexual orientation, race, gender discrimination, and a host of other issues that can get better only when we start being honest with ourselves and with others about what we think and how we feel, without descending into banning people's relationships constitutionally, breaking off relationships because we disagree, and falling deeper into a pit of partisan tar.

Glenn Gould: Queerly Normal

Glenn Gould was the wizard of my adolescent years.

His playing first blazed into my imagination through a rebroadcast on CBC's "Sunday Arts Entertainment" of his performance from the 60s of Beethoven's Tempest Sonata, which I was then learning, which he played without notes and so crisply, cleanly, and inexorably that I grabbed a VHS tape and got about 2/3rds of the first movement and the rest of the second and third. On the same program, perhaps, or soon after, his performance of Beethoven's Op. 69 Cello and Piano Sonata in A major with Leonard Rose was aired, again with him playing from memory, somewhat involved in theatrics, and playing with a deep passion that seemed to reach beyond the music. This reaching has inspired in me a life-long search for what it was he saw, what any true artist sees, just beyond the edge of our perception, yet firmly grounded in our abilities and capacities as humans.

I don't know at which point Gould crossed the line in my life from a performer to something akin to a soulmate, a personality preserved in film and recording and written and spoken words, which seemed more alive to me than some people who actually were alive.

In his projection of alienation there was intimacy, an intimacy of the kind that I was denied through the social convention that said boys had to date girls and vice-versa that was prevalent when and where I grew up. Gould transcended the need for such relationships by bringing you so close to the center of music that it was like opening a beating heart and seeing a level of reality that was astonishing, ugly yet enticingly beautiful, different from conventional representation, and life-changing in its realization.

The artificiality of his playing was yet honest, deeply probing, and provoking in a way that merely another lovely, let alone a so-called "correct," performance could never have been. Music lived for him and through him in a way that bewitched some, enraged others, and cheered still many more.

The ecstasy of his playing, so clear in even his latest recordings, seems to rise to a new, reaching level just as his star was eclipsing (listen to the Brahms Ballades Op. 10, recorded in February of his last year, 1982, especially the middle section of Op. 10 #3).

And yet his personality was paramount for me.

II.

Perhaps for years I figured that Glenn Gould was gay too. There was little evidence to the contrary, and those who knew him best guarded his privacy like good friends would, denying any such rumors that he was gay. The reality of Gould's relationships came out to the broader public only very recently, in the last few years, and most recently in a recent broadcast of a fairly new documentary about him, Genius Within: The Inner Life of Glenn Gould.

I first saw this documentary in a theater a few months ago, and many things were revelatory, such as his relationship with Cornelia Foss, not something that was part of the broadcasts on Sunday Arts Entertainment years ago.

Yet the reality of Gould's sexuality does not detract from his fundamental queerness, or his fundamental normality--he was a man whose eccentricities got the better of some of his relationships, and yet was one who, surprise!, craved human connection despite his growing need for electronic space.

Yet see, nearly 30 years after his death, just how much electronic space has come to define our relationships? This medium of self-publishing random thoughts to random people, the connection to social media that was never even a glint in Glenn's eye during his lifetime, yet would have served his lifestyle well, have become the norm. Electronic space, via computer platforms, social media, Skype and other modern versions of telephony, gives each of our lives a distance and an intimacy that now defines a new, perhaps queer, normality.

Perhaps our whole era has attained a level of eccentricity through all of these new means of communication and social organization that makes each of us queerly normal in relation to those who have gone before.

III.

Another element of Gould's personality was the power of it to bring me through what easily could have been a time of extended despondency in those dark and frustrating teenage years; this seems to be something that he also unwittingly did for many. During my sophomore year of high school, when I was most frightened about people in my class, home, and elsewhere finding out that I was gay, and most frustrated that nobody else seemed to be like me, I listened to Gould's 1981 recording of Bach's Goldberg Variations nearly every night, it offering me 50 minutes of peace and structure in a life that felt chaotic and uncertain, the Variations beginning, growing, changing, and coming back to home base at the end.

Anyone who knew me in those years would recall my obsession with Gould, which I had hoped at the time might play out into a biography, as there was only one available in those years, Otto Friedeich's "Glenn Gould: A Life and Variations," which, though extensive, still left me wanting to know more. I voraciously ingested every fact, anecdote, or even reference to Glenn Gould that I could get my hands on. The biography never materialized, but others followed, both biographies and more creative works based on Gould and his personality and musical life.

During my senior year of high school, I used the proximity of Christmas and my birthday, as well as my graduation from high school, to wrangle a trip to Toronto in September 1992 as a "student delegate" to the Glenn Gould Conference, one of the most amazing weeks of those years and one of the more memorable weeks of my life. Not only was it my first time all on my own in a city, but it also put me in contact with dozens of people who knew, worked with, studied with, and even were related to Gould.

His assistant, Ray Roberts, was there, along with some of his fellow piano students from the Toronto Conservatory, some musicians with whom he'd made music, and, perhaps most poignantly, his father Herbert, then 90 years old. I will never forget, in particular, the day that we all went to Glenn's grave in Mount Pleasant Cemetery in Toronto. I had the opportunity there to pay my respects to Mr. Gould, and he graciously accepted my condolences on the death of his son 10 years earlier.

Later that year, I submitted a series of questions to Mr. Gould through Ray Roberts & Glenn Gould's lawyer, Stephen Posen, which related to Gould's childhood and experience in school. I've never shared these answers with anyone, not out of a sense of privacy, but because I never thought they would particularly interest anyone. If they might interest you, please let me know.

IV.

I don't know if Glenn Gould was conservative or liberal when it came to sexuality. One story related by one of his friends remembers some random stranger showing him porn in a restaurant once, and Glenn being quite undone by the experience. Who knows. I can imagine that his confidants, who denied that he was gay long before this recent documentary came out, might not want him to be labeled "queer," even though, in a very extended way, he was.

But at the same time, he was not quite in the same way "normal" as society still somewhat expects people to be. He could not become legal brothers with a close co-worker and collaborator. Yet why not, but for social convention not reaching that point of realizing that we're all cousins at some distant point in the past, and if cousins, why not brothers and sisters?

Perhaps "queerly normal" goes as far towards describing Glenn Gould as can be done. He didn't have to be eccentric, or distant, or isolated, or ecstatic to be who he was, yet all of those things contributed to who he was and became even as his problems with things that he did not want to state were problems grew in his last decade. Some have said, notably the violinist Yehudi Menuhin, that if he had married like most people do, and taken some of the energy he put into music and thought into a family, he might have lived longer. Who's to say?

I'm still turned on by Gould's playing, by the personality that made it what it was, which still in its strange way makes for a feeling of home.